'Phantom Pups' - A Series for Dog Lovers
This Netflix original series is for animal lovers and fans of light horror series.
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When it comes to cult classics, the horror genre has always had an overwhelming number of B-movies. Horror B-movies refer to the low-budget feature films as compared to major feature films. One might call them “low-grade” cinema as opposed to the more artistic endeavours, but I’d refrain from saying that. The horror B-movie is a source of unbridled entertainment and for the fans of spooky business, it’s the perfect way to round out Halloween night or any night in which they’re in the mood for horror. Usually characterized by a somewhat loose storyline, sometimes some quite silly characters, a little over-the-top acting and a bunch of practical effects, horror B-movies used to rule the world of horror during the ’70s and ’80s with franchises like Friday the 13, Slumber Party Massacre and Halloween.
But since the late '90s, with big-budget horror films like End of Days and Hollow Man, the focus has shifted from the horror B-movie. We now have major horror features like It and Midsommar and every year, there are almost ceremonial releases from the studio A24 which gave us The Witch and Hereditary. This year itself, Ti West's X and Jordan Peele’s Nope came out, which are far from being horror B-movies. But that being said, it’s only the focus that has shifted because we still have horror B-movies being made. If you enjoy the bizarre, less refined and entertaining world of the horror B-movies and want a break from the nuanced and poignant big-budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October. Here are fifteen films for the fifteen days that remain till the auspicious date of Halloween!
The biggest subcategory of horror B-movies by percentage is the slasher film. Almost overdone violence and heavy reliance on practical effects as opposed to CGI characterize the slasher. And of course, the heavily criticized but also equally loved trope of the final girl is a slasher staple. Some of the most gruesome on-screen deaths have been courtesy of the slasher horror B-movie and I’m here to offer you some more horrible killings. If gore makes you queasy, you may consider skipping this segment.
In the age of Gen Z, Tik Tok, and podcasts, the generational divide has never been so prominent. One thing that definitely divides the generations is our taste in movies. Horror has become a reliable box office earner thanks in large part to younger audiences seeking chills and thrills. However, Bodies Bodies Bodies directed by Halina Reijn, is perhaps the first major slasher to highlight the relationship Gen Z has with itself, all while navigating a murder whodunnit plot.
Bodies Bodies Bodies, the latest from indie powerhouse studio A24, is a great time. It is full of dark comedy laughs, great performances, and genuine scares. Although, many have wondered, does the film make fun of Gen Z or support it? The answer is a little bit of both.
When the film opens, we meet a group of friends readying for a “hurricane party.” They party and prepare for the storm when the suggestion of a game comes about. Even before the game starts, there is tension among the group. It is easy to understand that many of the group members have had issues with each other before tonight. The game brings this tension to a boiling point, as someone actually ends up dead. Once the accusations start flying about murder and petty issues with their friends, it makes it difficult for them to remember who is an enemy and who is a treasured friend.
This is where the film's strongest element lies. The film doesn’t seek to scold Gen Z, nor does it seek to suggest they don’t have problems. They do, just as every generation does. The only difference is that this generation has the internet and social media at the ready for any life update they choose to share.
The film seeks to hold a mirror up to Gen Z and show them what their weaknesses are, but also their strengths. The film never portrays the friends as helpless, even with a possible killer on the loose and being in the middle of a brutal hurricane. It also never portrays them as obsessed with their phones, as many “boomers” believe to be true and often include in films. They are able-minded, quick-witted, and ready to fight if need be. Yes, there are jokes that riff on the stereotypical Gen Z person, but it is evident that the screenplay wants to poke at them, not shame them.
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. We can’t report to our jobs, or our jobs are being done remotely, or our ability to work is vastly restricted. And with all of this free time we have on our hands now, this is the perfect time to catch up on all of those movies we’ve been continuously putting off for a “rainy day.” Well folks, it’s pouring outside, so let’s watch some movies!
These picks are all based on my own subjective opinion, but I’ve compiled a list of different films of different genres across Netflix, Amazon Prime, HBO Go, and Hulu that I think everyone should watch. If you’ve already seen them, watch them again! These are the movies that, in my opinion, can’t steer you wrong.
1 | Alien (1979) | Amazon Prime
Directed by: Ridley Scott
Caught in a bizarre and terrifying time warp, college student Tree finds herself repeatedly reliving the day of her murder, ultimately realizing that she must identify the killer and the reason for her death before her chances of survival run out.
Christopher Landon
Director
Christopher Landon
Director
Jessica Rothe
Theresa ‘Tree’ Gelbman
Israel Broussard
Carter Davis
Ruby Modine
Lori Spengler
Rachel Matthews
Danielle Bouseman
Billy Slaughter
Dr. Winter
Charles Aitken
Gregory Butler
Jimmy Gonzales
Police Officer
Jason Bayle
David Gelbman
Rob Mello
John Tombs
Phi Vu
Ryan Phan
Caleb Spillyards
Tim Bauer
This Netflix original series is for animal lovers and fans of light horror series.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.