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A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She's not his mother, he's not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother's love for her child.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.