'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
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In 1946, Branch Rickey (Harrison Ford), owner of the Brooklyn Dodgers, took a stand against Major League Baseball's infamous colour line when he signed Jackie Robinson (Chadwick Boseman) to the team. The deal put both men in the crosshairs of the public, the press and even other players. Facing unabashed racism from every side, Robinson was forced to demonstrate tremendous courage and let his talent on the field wins over fans and his teammates – silencing his critics and forever changing the world by changing the game of baseball.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.